Print Solarization: Controlling the Sabatier Effect
by Ed Buffaloe
The latest theory on the Sabatier effect, and how to solarize papers, which developers to use, and how to control the result.
Traditional darkroom photography and historical photographic processes
Stand, semi-stand and extreme minimal agitation give a unique and powerful means of affecting mid-tone contrast, and put the personality of the negative more in your control than ever.
Working methods and theory, written by the people who make the prints. All articles
by Ed Buffaloe
The latest theory on the Sabatier effect, and how to solarize papers, which developers to use, and how to control the result.
by Christina Z. Anderson
An arcane bleach-etch process that lifts the dark emulsion from the paper so it can be moved, draped or washed away.
by Harvey W. Yurow
by Joseph Smigiel
by Sandy King
A 7 × 17 inch carbon transfer print, made in 2001. Pigment in hardened gelatin, one of the most permanent of all photographic processes.
Read The Carbon Transfer ProcessGrouped by process family.
Developers, toners, sensitizers and fixers, with working notes.
Times and dilutions for common film and developer pairings.
Dr. Mike Ware’s history, science and art of cyanotype, free to download in its updated edition (PDF, 5.2 MB).
New poems by Ed Buffaloe. $5 plus shipping in the U.S. How to order