|
Adams, Ansel. The Negative. Boston: Little, Brown and Company, 1981. Adams, Ansel. The Print. Boston: Little, Brown and Company, 1983.
Alexander, Christopher; Ishikawa, Sara; Silverstein, Murray. A Pattern Language. Oxford: Oxford University Press, 1977. Alexander, Samuel. Space, Time, and Deity, The Gifford Lectures at Glasgow, 1916-1918, 2 Vols. New York: Dover, 1966. Aristotle. Richard McKeon, Ed. The Basic Works of Aristotle,
New York: Random House, 1941. Barfield, Owen. Poetic Diction, A Study in Meaning. Middletown, Connecticut: Wesleyan University Press, 1973. Cassirer, Ernst. Tr. Ralph Manheim. The Philosophy of Symbolic Forms. New Haven & London: Yale University Press, 1955.
Coleman, A.D. "Marginalizing the Maker: The Status of Authorship in the Digital Epoch." Camera & Darkroom (November, 1991). Goldberg, Vicki, Ed. Photography in Print. Albuquerque: Univ. of New Mexico Press, 1981.
Greenough, Sarah; and Hamilton, Juan, Editors. Alfred Steiglitz, Photographs and Writings. New York: National Gallery of Art, no date. Green, Jonathan, Ed. Camera Work, A Critical Anthology. New York: Aperture, 1973.
Hambidge, Jay. The Elements of Dynamic Symmetry. New York: Dover, 1967. Harbison, Robert. "Decoding the Cipher of Reality: Fox Talbot in His Time." Aperture 125 (Fall, 1991).
Hill, Paul and Cooper, Thomas. Dialogue with Photography. New York: Farrar, Straus and Giroux, 1979. Hume, David. A Treatise of Human Nature. Oxford: The Clarendon Press, 1888.
Humphrey, Nicholas. A History of the Mind. New York: HarperCollins Publishers, 1993. Ivins, William M. Art And Geometry. New York: Dover, 1964. Ivins, William M. Prints and Visual Communication.
Cambridge: Harvard University Press, 1953. Jones, Bernard E., ed. Encyclopedia of Photography. London, New York: Cassell, 1911. Jung, Carl Gustav. Tr. R.F.C. Hull. Aion, Researches into the Phenomenology of the Self.
Princeton: Princeton University Press, 1959. Jung, Carl Gustav. Tr. R.F.C. Hull. Psychological Types. Princeton: Princeton Univ. Press, 1971.
Jung, Carl Gustav. Tr. R.F.C. Hull. The Structure and Dynamics of the Psyche, 2nd Edition. Princeton: Princeton University Press, 1969. Kachel, David. “Zone System Contraction Part III: Selective Latent Image Manipulation.” Darkroom and
Creative Camera Techniques, Vol. 11, No. 5, September/October, 1990. Kachel, David. “Variable Contrast Control From Graded B&W Papers.” Darkroom and Creative Camera
Techniques, Vol. 13, No. 3, May/June 1992. Kalupahana, David J. A History of Buddhist Philosophy. Honolulu: Univ. of Hawaii Press, 1992. Kepes, Gyorgy. Language of Vision. Chicago: Paul Theobald, 1949.
Kuhn, Thomas S. The Structure of Scientific Revolutions. Chicago/London: University of Chicago Press, 1962. Langer, Susanne K. Feeling and Form. New York: Charles Scribner’s Sons, 1953.
Langer, Susanne K. Philosophy in a New Key, 3rd Edition. Cambridge: Harvard University Press, 1957. Lemagny, Jean-Claude and Rouille, Andre, eds. A History of Photography, Social and Cultural
Perspectives, trans. Janet Lloyd. Cambridge: Cambridge University Press, 1986. McLuhan, Marshall. The Gutenberg Galaxy. New York: Signet, 1969.
McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: Signet, 1964. Mortensen, William. Mortensen on the Negative. New York: Simon and Schuster, 1941.
Mortensen, William. The New Projection Control. Naef, Weston, "Daguerre, Talbot, and the Crucible of Drawing." Aperture 125 (Fall, 1991). Panofsky, Erwin. Studies in Iconology. New York: Harper & Row, 1962.
Plato. The Collected Dialogues. Princeton: Princeton University Press, 1961. Robinson, Henry Peach. Pictorial Effect in Photography. Pawlet Vermont: Helios, 1971.
Rushkoff, Douglas. Media Virus. New York: Ballantine Books, 1994. Sherburne, Donald W. A Key to Whitehead’s Process and Reality. New York/London: MacMillan, 1966. Sontag, Susan. On Photography. New York: Delta Books, 1980.
Thomas, Alan. Time in a Frame. New York: Schocken Books, 1977. Traub, Charles, ed. The New Vision. New York: Aperture, 1982. Usher, Abbott Payson. A History of Mechanical Inventions.
New York/London: McGraw-Hill, 1929. Vaizey, Marina. The Artist as Photographer. New York: Holt, Rinehart and Winston, 1982. Vitruvius. The Ten Books on Architecture. New York: Dover, 1960.
Wall, E. J., and Jordan, Franklin I. Extensively rewritten by John S. Carroll. Photographic Facts and Formulas. New York: Amphoto, 1975. Whitehead, Alfred North. Process and Reality,
Corrected Edition. New York/London: The Free Press, 1978. Whitehead, Alfred North. Science and the Modern World. New York: The Free Press, 1925, 1953.
|
|