Links, Resources, and Bibliography
This article has provided a very brief introduction to the wetplate collodion process. It has only scratched the surface. Much more information is available in various manuals and available workshops. I highly recommend reading several texts on the process as well as attending a workshop before attempting to work the process.
Information on building darkboxes, preparing genuine ferrotype plates, making collodion negatives for albumen printing, remedying problematic baths or solutions, and general tips and tales can be discovered in these resources. You will find the chemistry can be adapted for different conditions and effects, other tricks of the trade, and a wealth of information on troubleshooting this somewhat finicky process is available if you investigate the following resources.
Gallery of Wetplate Photographs
by Joseph Smigiel
(Be forewarned that the gallery contains photographs of nude figures.)
Manuals, Articles, and Texts
Frederick Scott Archer, Inventor of the Wet Collodion Process
The Doer’s Guide to Wetplate Photography, DVD and Manual, by John Coffer
Coming Into Focus, chapter on wetplate, by Scully and Osterman
The Wet-Plate Process, A Working Guide, by Scully & Osterman
Wet Collodion Photography, A Short Manual, by George Berkhofer
The Contemporary Wetplate Collodion Experience, by Quinn Jacobson
The Silver Sunbeam, by John Towler, MD
A Popular Treatise on Photography,
by Désiré van Monckhoven (online)
A Manual of Photography, by Mathew Carey Lea
The Albumen and Salted Paper Book, by James M. Reilly (online)
Bill Jay's Essays, including “Dangers in the Dark”, “Move a Muscle and I'll Blow Your Brains Out”
and “The Black Art”
How a Woman Makes Landscape Photographs by Eliza W. Withington, 1876 (online)
THE CHEMICALS USED IN THIS PROCESS ARE EXTREMELY HAZARDOUS AND ANYONE CONSIDERING WORKING IN THIS PROCESS SHOULD INVESTIGATE THE MATERIAL SAFETY DATA SHEETS FOR EACH
CHEMICAL AND BE FAMILIAR AND COMFORTABLE WITH THE PROPER HANDLING OF THESE MATERIALS TO MINIMIZE ANY POTENTIAL HAZARDS.
THIS ARTICLE IS PROVIDED FOR GENERAL EDUCATIONAL PURPOSES
AND IS NOT INTENDED TO BE ENDORSEMENT OF THE USE OF THE CHEMICALS BY UNTRAINED INDIVIDUALS.
AGAIN, THE AUTHOR AND PUBLISHER OF THIS ARTICLE ACCEPT NO
RESPONSIBILITY NOR LIABILITY RESULTING FROM THE IMPROPER USE OF THESE CHEMICALS BY OTHER INDIVIDUALS.
© 2008 by Joseph P. Smigiel
No part of this article may be reproduced without permission of the author.
Thanks to Bill Schwab for providing several location photographs used in this article.
- John Coffer
- Michael Mazzeo at Peter’s Valley Craft Center
- France Scully and Mark Osterman
- Northlight Photographic Workshops
- Center For Alternative Photography
- Will Dunniway
- Kerik Kouklis
- The Wetplate Collodion Forum
- The Civil War Reenactor's Collodion Photography Discussion Forum
- Flickr Wetplate Photography Group Image Pool
- Disactis (A French Daguerreotype and Wetplate Site)
- Jody Ake
- Robert Benson
- Stephen Berkman
- Melitte Buchman
- Quinn Jacobson
- Luther Gerlach
- Robb Kendrick
- Kerik Kouklis
- Matt Larkin
- Sally Mann
- Robert Maxwell
- Michael Mazzeo
- Ken Merfeld
- Eric Mertens
- David Prifti
- Keilly Anderson-Staley
- Joni Sternbach
- Ellen Susan
- John Coffer
- Will Dunniway
- Steve Ingram
- Seán MacKenna
- Christopher Morgan
- Wayne L. Pierce
- Robert Szabo
- ArtChemicals.Com
- Artcraft Chemicals
- Bostick and Sullivan
- Clarkson Labs
- Mavidon Medical Supplies
- Photographer's Formulary
- Wayne Pierce, The Company Photographer
- The Star Camera Company
- How to Adapt a Film Holder to Wetplate
- Cadmium Bromide MSDS
- Cadmium Iodide MSDS
- Collodion USP MSDS
- Ether Hazards
- Ether Storage
- Ethyl Ether MSDS
- Nitrocellulose (guncotton, pyroxiline) Information
- Potassium Cyanide MSDS
- Silver Nitrate MSDS
- US Dept. of Energy Office of Health, Safety, and Security article on Management of Time Sensitive Chemicals
- Return to Previous Page of Wetplate Collodion Photography